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C. S. Lewis: Natural Law, the Law in Our Hearts by Kathryn Lindskoog and G. F. Ellwood Ms. Lindskoog and Ms. Ellwood are free-lance writers currently residing in California. Both have written for a variety of religious publications. This article appeared in the Christian Century November 14, 1984, p. 1059. Copyright by the Christian Century Foundation and used by permission. Current articles and subscription information can be found at www.christiancentury.org. This material was prepared for Religion Online by Ted & Winnie Brock.
The first five chapters of C. S. Lewis’s Mere
Christianity (1953) discuss this objective norm to which people appeal and
by which they expect others to abide. Lewis claims that although everyone knows
about the law, everyone breaks it. He further asserts that something or somebody
is behind this basic law. This obvious principle of behavior is not created by
humans, but it is for humans to obey. Different people use different labels for
this law -- traditional morality, moral law, the knowledge of right and wrong,
virtue or the Way. We will call it the Natural Law. According to Lewis, we learn more about God from
Natural Law than from the universe in general, just as we discover more about
people by listening to their conversations than by looking at the houses they
build. Natural Law shows that the Being behind the universe is intensely
interested in fair play, unselfishness, courage, good faith, honesty and
truthfulness. However, Natural Law gives no grounds for assuming that God is
soft or indulgent. Natural law obliges us to do the straight thing regardless
of the pain, danger or difficulty involved. Natural Law is hard -- “as
hard as nails” (Mere Christianity, (p. 23). Lewis
uses this same phrase in his moving poem “Love.” In the first stanza he tells
how love is as warm as tears; in the second, how it is as fierce as fire; in
the third, how it is as fresh as spring. And the final stanza tells how love is
as hard as nails. “Love’s as hard as nails/Love is nails.” They
are blunt, thick and hammered through the medial nerve of our creator. Having
made us, he knew what he had done. He foresaw our cross and his (Poems, p.
123). In Lewis’s first chronicle of Narnia, The
Lion, the Witch and the Wardrobe (1950), the lion Asian predicts this
hardness of God’s love by promising to save Edmund from the results of
treachery. He says: “All shall be done. But it may be harder than you think”
(p. 104). When he and the wicked White Witch discuss her claim on Edmund’s
life, she refers to the law of that universe as the Deep Magic. Aslan would
never consider going against the Deep Magic; instead, he gives himself to die
in Edmund’s place, and the next morning comes back to life. He explains to
Susan that though the Witch knows the Deep Magic, there is a far deeper magic
that she does not know. This deeper magic says that when a willing victim is
killed in place of a traitor, death itself begins working backwards. The
deepest magic works toward life and goodness.
At the end of Mere Christianity’s chapter
titled “Right and Wrong as a Clue to the Meaning of the Universe,” Lewis claims
that until people repent and want forgiveness, Christianity will not make
sense. Christianity explains how God can be the impersonal mind behind the
Natural Law and also be a person. It declares that, since we cannot meet the
demands of the law, God actually became a human being to save us from our
failure. Lewis was aware, of course, that the presence of
natural and moral evil in the world makes governance by absolute goodness seem
questionable at best. He understood the poet A. E. Housman’s bitter complaint
against “whatever brute and blackguard made the world” (Last Poems, IX).
But Lewis asks by what standard the creator is judged a blackguard. Any such
lament for Natural Law or its rejection in itself implies an objective order. Lewis was deeply concerned that many people in
this century are losing their belief in Natural Law. He spoke about this in the
Riddell Memorial Lectures at the University of Durham, published in 1947 as The
Abolition of Man. In Abolition he uses “the Tao” as
shorthand for Natural Law or First Principle. This word choice is perhaps
unfortunate. It is hard to believe that Lewis read, received (to use his own
language) and savored the Tao Te Ching, Taoism’s scripture, and
concluded that “Tao” is the most accurate and succinct term for the moral law.
Although the Tao is finally ineffable, according to the Tao Te Ching, it
is best described as ‘‘the Flow,’’ ‘‘the way things change,” “the Life” or “the
Source.” To follow the Tao is indeed to live morally, for it requires
respecting the lowly and avoiding oppression and pride. However, the Tao
ultimately accepts the status quo, whether good or evil. Lewis might have done
better to stay with the term moral law, Natural Law or, if he preferred Chinese
thought, “the Will of Heaven.” (Confucianism occasionally does use “the Tao” in
the narrower sense of “the Will of Heaven”; however, this is not the word’s
primary meaning in Taoism.) Lewis claims in Abolition that until
quite recent times everyone believed that objects could merit our approval or
disapproval, our reverence or our contempt. Some emotional reactions were
assumed to be more appropriate than others. This concept is vividly represented in The
Lion, the Witch and the Wardrobe. Edmund’s emotional responses are
inappropriate from the very beginning: When his brother and sisters imagine
pleasant creatures they would like to meet in the woods, he hopes for snakes;
when the children meet the wise old professor, Edmund laughs at his looks; when
Edmund meets the White Witch, his initial fear quickly turns to trust; and when
the Witch gives him a choice of foods, he stuffs himself with sinister Turkish
Delight candy. He is resentful and aloof toward his sister Lucy and is
suspicious even of the good Robin and Beaver who come to guide the children to
safety. Instead of noticing the Beaver’s house, he looks at the Witch’s castle
in the distance. When the name Asian first is spoken to the four children, they
all have wonderful feelings, except Edmund, who senses a mysterious horror.
Later events teach Edmund to respond like the others. Lewis notes that Aristotle believed that the aim
of education and the essence of ethics are to make pupils like and dislike what
they ought. According to Plato, we need to learn to feel pleasure for the
pleasant, liking for the likable, disgust for the disgusting, and hatred for
the hateful. In early Hindu teaching righteousness and correctness corresponded
to knowing truth and reality. Psalm 119 says the law is “true.” The Hebrew word
used for truth here is “emeth,” meaning intrinsic validity, rock-bottom
reality, and a firmness and dependability as solid as nature. This meaning is reflected in the final book of
Narnia, The Last Battle (1956), in which Lewis introduces a young man
named Emeth who had grown up in an oppressive country where people worship an
evil god named Tash. Despite his upbringing, Emeth is an honorable and honest
man who seeks to do good. He dies worshiping Tash but finds himself in Asian’s
presence. He responds with reverence and delight. Everything he thought he was
doing for Tash was counted as service to Aslan instead. Because he liked the
likable and hated the hateful, Emeth was Aslan’s friend long before he knew
Aslan.
Lewis’s analysis shows that if Natural Law is
sentimental, all value is sentimental. No propositions like “our society
is in danger of extinction” can give an adequate basis for a value system; no
observations of instinct such as I want to prolong my life” give any substance
to a value system. Why is our society valuable? Why is my life worth
preserving? Only the Natural Law -- asserting that human life has value --
gives a basis for a coherent value system. “If nothing is self-evident, nothing can be
proved,” Lewis claims. “If nothing is obligatory for its own sake, then all
conceptions of value crumble. No values are independent of Natural Law. Anything
judged to be good is such because of values in the Natural Law. The concept of
goodness springs, from no other source. Thus, modern ethical innovations are simply
shreds of the old Natural Law, sometimes isolated and exaggerated. If values
are retained, so is Natural Law. According to Lewis, there never has been and
never will be a radically new value or value system. The human mind can no more
invent a new value than create a new primary color. Admittedly, imperfections and contradictions
appear in historical manifestations and interpretations of Natural Law. Some
reformers help improve our perceptions of value. But only those living by the
Law know its spirit well enough to interpret it successfully. People who live
outside Natural Law have no grounds for criticizing it, or anything else. A few
who reject Natural Law intend to take the next logical step as well: living
without any values, disbelieving all values, and choosing to live governed only
by whims and fancies. Lewis’s poem “The Country of the Blind,”
published in Punch in 1951, presents an image of these people (Poems,
p. 53). He imagines life as a misfit with eyes in a country of eyeless
people who no longer believe vision ever existed. This poem tells of “hard” light shining on a
whole nation of eyeless people who are unaware of their handicap. Blindness
developed gradually through many centuries. At some transitional stage a few
citizens still have eyes and vision after most people are blind. The blind are
normal and up-to-date. They use the same words their ancestors had used, but no
longer know their concrete meaning. They still speak of light, meaning an abstract
thought. If a person with sight tries to describe the gray dawn or the stars or
the green-sloped sea waves or the color of a lady’s cheek, the blind majority
insist that they understand the feeling the sighted one expresses in metaphor.
There is no way to explain the facts to them. The blind ridicule the sighted
one for taking figures of speech literally and concocting a myth about a sense
perception no one has ever really had.
One of those famous people is B. F. Skinner, who
answers in Beyond Freedom and Dignity that the abolition of the inner
person and traditional morality is necessary so that science can prevent the
abolition of the human race. Lewis had already exclaimed in Abolition, “The
preservation of the species? -- But why should the species be preserved?” (p.
40). Skinner does not provide an answer, but embraces Lewis’s devious
scientific “Controllers” who aim to change and dehumanize the human race to
fulfill their purposes more efficiently. Lewis satirizes this kind of progress in his
poem “Evolutionary Hymn,” which appeared in the Cambridge Review in 1957
(Poems, p. 55). Using Longfellow’s popular hymn stanza pattern from “Psalm
of Life,” Lewis exclaims: What do we care about wrong or justice, joy or
sorrow, so long as our posterity survives? The old norms of good and evil are
outmoded. It matters not if our posterity turns out to be hairy, squashy or
crustacean, tusked or toothless, mild or ruthless. “Goodness = what comes
next.” The poem concludes that our progeny may be far from pleasant by present
standards; but that is inconsequential if they survive. Lewis has often been carelessly accused of
attacking science. In fact, he gives us an admirable scientist, Bill Hingest in
That Hideous Strength (1945). Significantly, the supposed scientists who
direct the NICE have Hingest murdered. For Lewis the enemy is not true science,
fueled by a love of truth, but that applied science whose practitioners are
motivated by a love of power. In Lewis’s opinion technological developments
called steps in humankind’s conquest of nature actually just give certain
people power over others. Discarding Natural Law will always increase the
danger that some people will control others. Only Natural Law provides human
standards that overarch rulers and ruled alike. Lewis even claims that
‘‘dogmatic belief in objective value is necessary to the very idea of a rule
which is not tyranny or an obedience which is not slavery” (Abolition, p.
46). The Magician’s Nephew (1955), the
tale of Narnia’s creation, portrays two characters, Jadis and Uncle Andrew
Ketterly, who exemplify the Controllers. Both claimed to be above Natural Law;
they have “a high and lonely destiny.” Jadis is a monarch and Uncle Andrew is a
magician, but both typify modern science gone wrong. Each believes that common
rules are fine for common people, but that singularly great people must be free
-- to experiment without limits in search of knowledge, and to seize power and
wealth. The result was cruelty and destruction. In contrast, the sages of old
sought to conform the soul to reality, and the result was knowledge,
self-discipline and virtue. Two examples from Lewis’s verse illustrate this
traditional wisdom. The 1956 poem “After Aristotle” praises virtue, describing
Greeks who gladly toiled in search of virtue as their most valuable treasure.
They would willingly die, or live in hard labor, for virtue’s beauty. Virtue
powerfully touched the heart and gave unfading fruit, making those who love it
strong. A second example is “On a Theme from Nicolas of
Cusa,” published in the Times Literary Supplement in 1955. The first
stanza notes how physical foods are transformed by our bodies when we
assimilate them. In the second Lewis suggests that when we assimilate goodness
and truth they are not transformed, but we are. Abolition ends with Lewis’s admonition to pause
before relegating Natural Law to no more than another accident of human history
in a wholly material universe. To “explain away” this transcendent reality
perhaps explains away all explanations. To “see through” the Natural Law is the
same as not seeing at all. This urgent defense of Natural Law has acquired
new meaning in our time. Since Lewis published Abolition in 1947, the locus
and imminence of the threat to the world has shifted radically. The danger of
nuclear armaments was obvious in 1947, but too few existed to threaten all life
on earth. Since then weapons have proliferated and metastasized beyond the
imaginations of most people of Lewis’s day. Now we face the potential sudden
massive destruction of human life (and also, incidentally, libraries and
literary heritage). Additionally, the horror would include catastrophic
biological aftereffects from probable destruction of the ozone layer and a
nuclear winter likely to end all plant and animal life on earth. This scenario
echoes the end of the world as foretold in the Norse mythology that Lewis found
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